147: Zen and Zero

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Monday, March 11, was my birthday, as I mentioned in the last segment of UnMind. Wednesday, March 27th, happens to be my late brother’s birthday. So in his honor, let us continue exploring the theme of Time — its seeming passage and constant presence. He was a professional jazz pianist and teacher of music, and so was fully immersed in time. Once upon a time, while discussing time signatures in music, such as four-four time, three-four time — the familiar waltz tempo — and so on, he leaned toward me, a mischievous smile on his face, saying that, “You know, there is also ‘one-one’ time” – counting off with his forefinger: “One-one-one-one.” He and I had many such dialogs at the intersection of music theory and Zen thinking. He has since passed on, sitting in with that great jazz combo in the sky. I bet he draws a crowd.

 

(Some of the material in what follows originally appeared as my Dharma Byte of the month, titled “Swords into Plowshares,” in 2020, when the pandemic was in full swing.)

 

In that message, and at that time, I made the point that privileging the survival of the oldest is not Nature’s way; it is usually the survival of the fittest. It is not natural to put younger members of the species at unreasonable risk, in order to protect the older members. This goes against  the natural order, as we witness in survival strategies of wildlife, as well as in social structures of the earliest human tribes. The survival of the species dictates age-related triage, in favor of those most likely to survive, to live longer, and to reproduce. Exceptions always arise to prove the rule; Nature is not simple.

 

Yet humans reverse this natural logic, in wartime as in the example of the military draft, as well as in recruiting methods for police officers and firefighters. People in their late teens and early twenties often enter into dangerous occupations, in service to the larger community. Those who study such things tell us that neurological networks, including the brain, are not yet fully formed at that age, recognition and fear of mortality typically arising about the mid-twenties, when the brain finishes wiring, as we say. We were doing it again in the face of the pandemic, sending younger first responders into the fray, while protecting elderly and senior members by isolating and quarantining them.

 

I have reported on my own encounter with COVID 19, which dragged out for the better part of a year, beginning with a three-month up-and-down sickbed recuperation from congestion and other flu-like symptoms, followed by slow recovery of lost strength, flexibility, balance, energy, and the kind of “brain fog” associated with “long covid,” the lingering effects on the nervous system. As part of that recovery, I developed an aggressive approach to the sitting posture and its relationship to the breathing process of Zen meditation, as well as to walking meditation, with its focus on physical balance.

 

At about the time I began returning to morning meditation sessions, the new era of private billionaire space exploration was heating up, with more frequent launches than ever seen in the history of NASA. Perhaps this was a subliminal prompt to my beginning to count my breaths down to zero, in contrast to the usual counting up from one to four or more, and avoid counting beyond ten, as are common recommendations in Zen.

 

With an initial, deep inhalation, I would hold the breath for a count of eight or so, while doing a full-body crunch, tensing the core muscle groups, as well as my newly stiffened legs, and weakened arms and shoulders. With the exhalation, I would intone “nine,” then “eight” for the next cycle, and so on, down to “one,” and finally, “zero.” After repeating this pattern for a half-dozen times or so, I would settle more quickly and deeply into the period, while the counting and muscular effort naturally subsided.

 

A curious thing began to happen each time I would reach zero in the count. By then, my breath would have slowed to five or so cycles per minute, and I could feel my heartbeat. So I found myself counting my heartbeat, instead of my breath. Or rather, noticing how many heartbeats accompanied each cycle of breath. The heartbeat is clearly the metronome of our instrument, the body. And number, or counting, is clearly fundamental to our worldview, intrinsic to all design thinking and measurement, and basic to Zen’s nondualism: “leaping aside from the one and the many,” as Master Dogen reminds us.

 

As my breath slowed to a lower, slower tempo, my pulse also slowed, synchronizing with the breath. This resulted in a profound degree of stillness in both posture and breath, as well as fixed gaze, affecting my overall sphere of attention, reminding me of Matsuoka-roshi’s comment that the “real zazen” is manifested when the posture, breath and attention all come together in a “unified way.” And that it feels as if you are “pushing the crown of your head against the ceiling” — “mountain-still” stability. I began to feel that unification viscerally, encompassing the apparent “outside” and “inside” dimensions of awareness. Familiar, but more intense than ever before. I call this “returning to zero.”

 

There are many phrases in the lexicon of Zen that seem to be pointing to this same kind of experiential phenomenon, such as Master Dogen’s “backward step”; the ancient phrase “Shi-kan” meaning something like “stopping and seeing”; the “shamatha-vippasana” pairing of insight meditation; et cetera. The process of letting go — primarily of our own preconceptions, interpretations, and opinions of direct, sensory experience; and by extension, of our concepts and constructions of the world, trying to explain this reality to ourselves — seems inherent in all major systems of cultivating realization. That the method is so quintessentially physical, is what is striking about the Zen approach to just sitting still enough, straight enough, for long enough.

 

The idea, or concept, of “zero” has philosophical and psychological implications as well. The common trope of the “zero-sum game” is a case in point. The definition online:

 

A zero-sum game is one in which no wealth is created or destroyed. So, in a two-player zero-sum game, whatever one player wins, the other loses. Therefore, the players share no common interests. There are two general types of zero-sum games: those with perfect information and those without.

 

This amounts to another version of the meme: that if there are winners, there must be losers, so there can be no actual win-win. This ignorant assumption unfortunately informs much of what passes for political discourse, and socially conservative ideology.

I refer you to the lectures of R. Buckminster Fuller for a fuller exposition of the limitations of the view that there is not enough to go around, and the survival of the fittest means that we must, above all, ensure that we get ours, to hell with the losers. Such innovations as the guaranteed minimum income are beginning to crack the facade of this fundamental error.

 

The last line, concerning the dual nature of the zero-sum game being dependent upon “perfect information,” may provide a clue as to how the notion of winning and losing connects — or doesn’t — to the personal practice-experience of Zen. Beyond a direct “return to zero” — the personal dimension of awareness on the cushion — there is a returning to zero on the social level, as well as within the natural and universal spheres. In his rephrase of a Ch’an poem, Zazenshin, meaning something like “lancet” or “needle” of zazen, Master Dogen wraps up the penultimate stanza with:

 

The intimacy without defilement

            is dropping off without relying on anything.


The verification beyond distinction between Absolute and Relative

            is making effort without aiming at it. 

 

This experience of “intimacy without defilement” is the zero sum point of zazen: nothing to be gained and nothing lost; nothing excluded and nothing extraneous, nothing to share with others – it is too intimate, too close in time and space. The fact that at this point we cannot rely on anything, is another aspect of Zen’s “zero” sum. We sit “without relying on anything” as Master Dogen reminds us, including all the tricks and trinkets we have painstakingly assembled in our toolkit. Our toolkit is exhausted, the tools we usually rely on, relatively or absolutely useless. “Absolute and Relative” constitute one of the last resorts of dualistic thinking; the fundamental bifurcation of “truth” in Buddhism is usually stated as absolute truth versus relative truth. So this “verification” must be of a different order altogether, one that is immeasurable. So far beyond any measurement, is this realization — though there is continuing effort, it is no longer aiming at anything.

 

This means that there is ultimately nothing of significance to gain or lose in relationships in the social sphere, nor do we have to distort our relationship to biology, our connection to the resources of Natural ecology. In terms of resolving the Great Matter of life and death, we can embrace the inevitability of aging, sickness and death as the central koan — one that comes bundled with birth — the illogical riddle of existence itself. We no longer have to rely on life, itself. Here and now, we arrive at the final zero-sum game.

 

Whether or not we believe in an eternal soul, and its resurrection, as do modern Christians; or in reincarnation, as did the ancient Egyptians, Greeks and Hindus; or rebirth as taught by Buddha, as a corrective to reincarnation; we finally come to face our mortality close-up and personal. It is natural, and universal, whatever its interpretation by the social milieu in which we find ourselves. According to an old Zen metaphor, the only “mate” who will accompany us to the grave, is our deeds. Whatever wealth, honor, power, or powers of reasoning we may have accumulated in managing and manipulating the vagaries of fate and vicissitudes of fortune encountered in life, they serve us little in the face of death.

 

Try as we might to think our way to enlightenment, or to reason ourselves into insight, we find ourselves failing again and again. Finally, we must surrender to the chaos of not knowing, and abandon our reliance on reason itself — spawn of philosophy and that other kind of Enlightenment, the triumph of reasoning over belief. Instead, we find verification of our Zen practice in “making effort without aiming at it.”

 

Needless to say, this is a very uncomfortable place to find oneself, at a pass that is not really negotiable, in any ordinary sense. Paraphrasing Seikan Hasegawa, a Rinzai master, from The Cave of Poison Grass, he reminds us that putting off confrontation with this particular koan of aging, until we find ourselves on the death-bed, is futile: “like eating soup with a fork.” We need to confront this koan when we are young and vigorous — “Stamp life and death on your forehead, never letting it out of your mind” — another Zen pearl of wisdom long lost to attribution. Life takes its meaning in the context of death. If you find that too morbid, just imagine what life would be like if we did not die: Its meaning would be entirely different, and not entirely positive.

 

When the grim reaper arrives, we may want to embrace her relentless, unforgiving and unsympathetic scythe, as being no different from the sword of Manjusri, cutting through our final delusion. Preferable to die on the cushion, of course.  

 

As Kosho Uchiyama reminds us, our whole world is born, and dies, with us. “Ashes to ashes, dust to dust.” In contemplating our inevitable demise as a loss of something, we have to remember that it amounts to returning to where we came from, a kind of null hypothesis that the effect we are dreading is not measurable, or sums to zero:

 

In scientific research, the null hypothesis is the claim that the effect being studied does not exist. Note that the term "effect" here is not meant to imply a causative relationship.

 

That last caveat calls to mind the famous Zen koan concerning Baizhang, or Hyakujo, and the fox. The point goes to the question of whether or not an enlightened person would be subject to, or free from, the law of causality. The ancient master responds: “Free from,” and is condemned to be reborn as a fox for five hundred (fox) lifetimes. Baizhang kindly corrects his confusion with something like: “One with causality” or “We do notignore causality,” which liberates the old man.

 

If we fear death — or, conversely, seek it out; fearing life, instead — we have made an assumption that we know what life is, but do not know what death is; or, conversely, that we prefer death over life; or vice-versa. Either side of this formula ignores the fact that the overall equation inevitably sums to zero.

 

I came across a pamphlet titled “The 11th Hour,” in my brother’s hospice care clinic, wherein its Christian, female author clarified: Birth is the death of whatever precedes it; death is the birth of whatever follows” — refreshingly without bothering to define the “whatever.”

 

In the next segment — speaking of zero-sum games — we will return to pick up the monthly thread of “Election Year Zen,” now that we have surpassed Super Tuesday, in this year’s endless campaign cycle. This, too, is the Dharma.

Zenkai Taiun Michael Elliston

Elliston Roshi is guiding teacher of the Atlanta Soto Zen Center and abbot of the Silent Thunder Order. He is also a gallery-represented fine artist expressing his Zen through visual poetry, or “music to the eyes.” You may purchase his books, “The Original Frontier” or “The Razorblade of Zen” by following the links.

UnMind is a production of the Atlanta Soto Zen Center in Atlanta, Georgia and the Silent Thunder Order. You can support these teachings by PayPal to donate@STorder.org. Gassho.

Producer: Shinjin Larry Little